Story: Shiva, a young DJ in Mumbai, discovers that he’s born with a special power that makes him immune and akin to fire. He gradually discovers the secrets behind his own existence that are also tied to a string of mythological incidents. How that changes the course of his life forms the rest of the narrative.
Review: A young, orphaned DJ, Shiva (Ranbir Kapoor), leads a happy life, full of light, around a bunch of orphaned kids. His special connection with fire – it doesn’t inflame him – and a host of visuals that appear before him periodically when he shuts his eyes, suck him into a world of superpowers. While there’s a mythological background to this, it also, gradually, connects Shiva to the story of his parents, which changes the course of his life. His search for love and light puts him on the path to destroy evil forces, and discover his true potential.
With comic-book-styled visuals, and Amitabh Bachchan’s baritone, the film sets up its premise and the origin of its universe in an interesting manner. Brahmastra: Part One: Shiva relies heavily on two aspects – its visual effects and the love story of its lead pair, Shiva and Isha, played by Ranbir Kapoor and Alia Bhatt. The film scores a great deal on visual effects. It’s well-thought out, top-notch and effective in most places. For instance, the culmination of the pre-interval scenes is a spectacle.
The film borrows from Indian mythology and folk tales, which is fantastic. The effort and passion invested in creating the universe in this film, replete with minute detailing, are worthy of appreciation. And while doing so, the makers lovingly doff their hats to movies like the Harry Potter franchise. The film shines in divisions like the VFX. The film’s colour palette has been created thoughtfully, and the depiction of the astras created out of the powers of nature and mythological characters is beautiful. The action choreography, especially in the chase sequence before interval, deserves whistles and claps, too.
Watching artistes like Nagarjuna and Amitabh Bachchan playing pivotal parts to the T is a delight, but not much of a surprise. They’ve done it a zillion times before. Nagarjuna in his limited screen time is quite effective. And Mr Bachchan appears comfortable in the skin of his character, performing action scenes with ease. Ranbir’s effort to add emotional gravitas to the proceedings is visible. He tries really hard to take the audience beyond the superficial layers of this film with the way he’s played out Shiva. It would have been great if Alia Bhatt and Mouni Roy’s characters were also developed with the same passion as Ranbir’s for them to have that lasting impact. There’s not much attention paid to the secondary characters either, which is unlike anything director-writer Ayan Mukerji has done so far.
Even though Brahmastra: Part One: Shiva had the potential and the room for it, the film doesn’t score brownie points for the love story of its lead couple which forms the thrust of the narrative here. In fact, it doesn’t seem plausible from the word go which weakens the film at its core in a big way. As a result, the larger story playing out in the film also feels weak and the screenplay suffers, too. The dialogues aren’t able to salvage much either. Towards the latter part, the runtime begins to feel tedious. The narrative could have been balanced better between the two halves of the film. And though the songs are pleasing to the ears, at times, their presence affects the momentum of the narrative.
The line between great and good lies in a believable, character-led story that emotionally engages you. The most imaginative worlds created by cinema’s geniuses eventually rely on the writing to keep everything else glued perfectly in their places. With all its pluses, nothing makes up for the emotional deficits that Brahmastra suffers. If that had been paid more attention to, it would have gone a long way in making the proceedings more praise-worthy.
The Open Magazine of India by Artmotion Network (https://magazine.armotion.com/)